Marvel did try to keep the dead alive in 1969 with anthologies more in line with the pre-Super Hero output like TOWER OF SHADOWS and CHAMBER OF DARKNESS, neither of which sold well, and soon changed their titles to CREATURES ON THE LOOSE and MONSTERS ON THE PROWL, respectively. However, some titles like MYSTIC and SPELLBOUND managed to go on another few years by covering different genres.Īt that point, all those beautiful monsters began to decompose, unceremoniously forgotten in the backs of closets and under beds, only really living deep in the imaginations of those lucky enough to have read them the first time around. That included titles like ADVENTURES INTO TERROR, MENACE, and ADVENTURES INTO WEIRD WORLDS from Marvel's predecessor Atlas Comics. Just a few short months after these new rules were put in place, the horror genre died a quick and painful death. Further directives banned the words "horror" and "terror" from titles and also the use of monsters like werewolves, vampires, ghouls, "the walking dead," and cannibals. That was the year the United States Subcommittee on Juvenile Delinquency put the entire comic book industry on trial resulting in the wildly restrictive Comic Code Authority.Įven though the industry enacted the first batch of rules and regulated itself, the edicts were clearly aimed at ending the scourge of crime and horror comics by banning the triumph of evil over good in general. In 1954, very human antagonists managed to put a stake through the hearts of every monster skulking through the comic book world.
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